Tracks
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Beginning with a piano intro, I wondered where this album would go. Silly me... brutality then, is it?
But its different. Its more mature brutality. Incredibly rhythmic heavy drums and guitar, and that vocalist... Phil Bozeman is clearly head and shoulders above so many of his peers.
The first track, Make It Bleed, really sets the pace for the rest of the album. Its dirt. Guitars so low it sometimes hard to recognise the tuning. But still, that maturity cuts through making this as obvious progression on from New Era...
Hate Creation plays around with the timings in your head, and it relentless. When it finally does break, it flows with harmonies and builds in a Slipknot-like manner which works well. (Cult)uralist is another slice of brutality and precision.
Faces and Possibilities of an Impossible Existence are the two remaining tracks worthy of note, the latter being fantastically crafted with a layered chorus and sweet drop / break riff which is very mainstream for the band, but again, works very well.
With a new album on its way in 2014, this band grow and grow and grow...
But its different. Its more mature brutality. Incredibly rhythmic heavy drums and guitar, and that vocalist... Phil Bozeman is clearly head and shoulders above so many of his peers.
The first track, Make It Bleed, really sets the pace for the rest of the album. Its dirt. Guitars so low it sometimes hard to recognise the tuning. But still, that maturity cuts through making this as obvious progression on from New Era...
Hate Creation plays around with the timings in your head, and it relentless. When it finally does break, it flows with harmonies and builds in a Slipknot-like manner which works well. (Cult)uralist is another slice of brutality and precision.
Faces and Possibilities of an Impossible Existence are the two remaining tracks worthy of note, the latter being fantastically crafted with a layered chorus and sweet drop / break riff which is very mainstream for the band, but again, works very well.
With a new album on its way in 2014, this band grow and grow and grow...